Wild Bill Hickok, Geronimo, & that ‘Bad Man from Kansas’ called Ned Wynkoop

wbh_67_lkCollection1

Image of Wild Bill Hickok in 1867 (lk collection)

Not quite the blog I thought I’d publish today (no big deal, for I’ve been shooting from the hip since I was five). An unexpected phone call changed today’s direction. The phone call dealt with gunfighters. Hell, if I have any say in my future I will someday play James Butler “Wild Bill” Hickok. Not holding my breath, but fingers are crossed. … hell, my fingers are always crossed. I know Wild Bill, and I’ve tried (apparently not forcefully enough) to play Bill in a stage production of Johnny D. Boggs’s great novel East of the Border, which deals with Hickok doing a season of theater with William F. “Buffalo Bill” Cody in the East. Not to give the plot away, but when Wild Bill realizes that when he fires blanks too close to dead extras lying on the stage floor that the flame burns them. Bill thinks it is a hoot to see dead men jump and scream out in pain. This is a part I could dig my teeth into.

Neither Johnny D. or my director, Tom Eubanks, have demonstrated much interest in me playing Mr. Hickok. I can’t figure out why, for this is type casting. (I guess that there’s a sadistic streak in me—No! I shouldn’t say that; bad advertising.) Another director/producer pitched me on doing a feature film (a la Twilight Zone) featuring a meeting/standoff/shootout between gangsters and gunfighters with me playing Wild Bill (and with me writing the script). This is a no brainer, for I’m Wild Bill.

Holding my breath? No. I never hold my breath, unless it is for a lady I want in my life.

I just enjoyed a cool phone call from a documentary film company, regarding a series of films dealing with gunmen. They actually came to me because of a peripheral gunman who eventually was hung for a murder, he may or may not have committed, named Tom Horn. He played a minor role in Lt. Charles Gatewood finding Geronimo, Naiche, and the remnants of the warring Apaches and getting them to surrender to the U.S. in 1886, which ended the last Apache war. I know Gatewood, and I know Geronimo. Alas, I don’t know Tom Horn, for he was a minor player in the dramatic end of the Apache wars.

GunslingerBggs

This is Mr. Johnny D. Boggs, one of the best writers working today. However, after he reads the next line or two, he’ll belt on his trusted Peacemakers, grab his favorite Stetson, and climb into his favorite Mustang, and drive to California with blood in his eye, … and it won’t be for past mistakes by your pal Kraft. No sir, Mr. Boggs will be a headin’ to clear the air. I’m already boarding up Tujunga House. First, let me point out that Mr. Boggs is a deadly shot, in print or in person, and he has been gunning for me for at least the past year. ‘Course you can see by this nice portrait of Mr. Boggs, that he has changed the look and feel of the gunmen we have come to love and cherish. He has done it with not only color, but with design. … I can just picture the next costume design for the next feature dealing with Wild Bill, Billy the Kid, Wes Hardin, or the Sundance Kid. Not to push my luck too far, let me add that if you want to read not a good, but a great book of fiction that deals with those long gone days of yesteryear, those long gone days when a man was a man and a woman was a woman, you owe it to yourself to buy any Johnny Boggs book you can get your hands on. You won’t be disappointed, and you’ve got my word on this. Mr. Boggs is one of our writing treasures.

I viewed their video advertising the upcoming series for the Military Channel, … impressive!! No overstatement. Great quality, focus of subject, and featuring Johnny Boggs, my good bud. Boggs is such a good friend, that when next I set foot in New Mexico I’m certain that we’ll stand each other off with fingers twitching inches above our Army Colts.

lk_cheyOK_gun08VibranceWebsite

lk art based upon a Johnny Boggs photo in 2008.

Mr. Boggs and I’ll saunter toward each other, lips tightening, broad-brimmed hats yanked low over our squinting eyes, breath thinning, and pulse racing. Payback time has arrived. Feet separate us, and there is no way either of us could draw, cock, fire, and miss. The time of reckoning will have arrived … But instead of yanking our irons and spitting death, … we’ll embrace each other. Two friends, glad to see each other again. Johnny smiles, as do I. “Good to see you,” he says. “And you, amigo,” I murmur. ‘Tis true. Two friends … together again. He smiles a second time, but there is an evil tint that clouds his smile. His grin widens, The color of his eyes darken; it is almost as if the sun has lost its sparkle. “Hell’s still a comin’,” he whispers. “Am lookin’ forward to it,” I drawl. Two friends—today, tomorrow, forever. …

Tom Horn … OUCH!!!!

Cool project for the Military Channel, one I’m in line with, but one I can’t buy into from what I’ve just heard from Jerry Holleran (a good conversation, one that instantly caught my interest). But? There’s always that damned “but” … But, Jerry hinted that they found me via my new website/blog, hinted that he was aware of my writing dealing with Charles Gatewood, Geronimo, and the final Apache surrender to the U.S. Government. … That’s good! What the hell are you complaining about Kraft?

g_86_lkYellowArt_6may13

Geronimo in Texas, mere months after his standoff with the Prefect of Arisipe in Old Mexico. He is cool in his new boots, breechclout, coat, button shirt, and brimmed hat. He is also a concerned man—concern for his peoples’ future. This is a portait of a man facing his future and wondering if he had made the right choices. (artistic rendering © Louis Kraft 2013)

If they want a gunfight—I can deliver one (or two). Not with Tom Horn, but rather with Geronimo (or Ned Wynkoop; see below). That’s right, Geronimo (with Gatewood backing him) as the old warrior/mystic confronted the Prefect of Arispe, Jesus Aguirre. Geronimo had become the most hated man in two countries (the U.S. and Mexico). Aguirre burned to eliminate the Apaches (murder them), while Geronimo lived to protect the remnants of his loved ones. Geronimo gripped his Colt. According to Gatewood, his eyes turned red; an ungodly mix with yellow. Aguirre gripped his revolver, sweat dripping down his temples. Tense seconds passed. In a flash someone would die. …

I know where my money would have been placed.

Ned Wynkoop fought for Indian rights. This turned him from being “a badman from Kansas who wore buckskin britches and carried a revolver and Bowie knife in his belt” to perhaps the most hated white man in Colorado Territory. Before daring to stand firm against what he considered the murder of innocent people, Ned Wynkoop, who, as a sheriff in Denver, thought nothing of breaking pals out of jail or standing up to a friend on the “field of honor” with the intent of killing him.

lk_nw67portrait_2007SIG

Portrait of Ned Wynkoop. (© Louis Kraft 2007)

Good with guns, but also a man before his time, Wynkoop not only dared to stand firm in his beliefs but had no problem with stating that the best way to end the Indian problem (in 1868) would be to extend American citizenship to Indians and allow their representatives seats in congress. Johnny Boggs, in his review of Ned Wynkoop and the Lonely Road from Sand Creek, commented, “No wonder Wynkoop wore a gun.”

I am in that good spot where I want to secure a gig, but can’t for I can’t talk about something that didn’t exist or happen. Can I push Geronimo, Wynkoop, or maybe even Wild Bill? Hope so. We’ll see.

You can bet I’ll contact the producer and chat.

— Louis Kraft




Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Optionally add an image (JPEG only)